All posts by Jonathan

April by Sun Kil Moon

On the first few listens of April, by Sun Kil Moon it’s the hooks (guitar riffs, chorus) that suck you in. Further listening uncovers the multiple layers beneath: the rich textured walls of sound, the expressive lyrics of loneliness, longing and memories of love. As each layer reveals itself and you become more familiar with the song, you move ever closer into the mind of the artists, feeling the depth of their emotions.

The opening track, “Lost Verses” sets the tone. It begins with a lone acoustic guitar accompanying the voice of singer Mark Kozelek. As it continues, instruments are added until the end of the song (a 90 second instrumental coda) has a wonderfully layered, full structure of sound.

View more →

Kathleen Edwards and band amazing

Last night I went to one of the best concerts I’ve been to in years, when I saw Kathleen Edwards and her band put on an amazing show at Madison’s beautiful Majestic Theatre.

The concert began on a somber tone, with Kathleen playing the haunting “Alicia Ross” “Mercury” (from her debut album). She started by herself, accompanied only by her acoustic guitar. As it continued the other band members gradually chimed in, until all five musicians were playing in full force. By the end of the song I knew I was going to be in for a real treat. Just as that thought was in my head, the band confirmed my instinct and launched into the rousing and jangly, “In State,” a song from my favorite Kathleen Edwards album, Back to Me.

View more →

The perfect encore

Last night I went to see The New Pornographers perform at the Orpheum Theatre here in Madison. While the absence of Neko Case was disappointing for me (get better soon Neko, we missed you!), the concert was a good one. But I’m not going to talk about the whole show, if you’re interested Muzzle of Bees has a good review on their website. I want to talk about the encore the band performed.

After a good long set of music, The New Pornographers thanked the crowd and left the stage. Here it comes, I thought. It’s such a cliché, the way rock concert encores happen these days.

View more →

Earthquake!

About 4:40am this morning, the sound of my alarm clock rattling on the shelf woke me up. As I drifted into consciousness, I wondered why the alarm clock was rattling. Then I realized the bed was shaking. First I thought maybe a big truck was driving by, but it continued much longer than a drive-by. As more of my brain cells began working I realized, it was an earthquake. The quake’s epicenter was near West Salem, Illinois. Did you feel it?

It was the third time in my life I’ve felt an earthquake (the other two times I was also in Wisconsin). While the tremors I felt this morning were fairly mild, it certainly is unsettling to feel the earth moving under you.

The Edgewood History Collection

, ,

screen shot, Edgewood History Collection home page

One of the long term projects I’ve been involved with at work was quietly unveiled this week, the Edgewood History Collection.

The project is a collaboration between myself and several other members of the library staff. My responsibility involved designing and developing the collection’s Home and About pages, as well as the page templates for the digital collection management software (the pages that actually display the items in the collection). The software we’re using is a hosted version of ContentDM.

Some of the things in the Edgewood History Collection I found interesting include:

View more →

The Ultimate Bootleg Experience

,

I recently discovered an outstanding resource at T.U.B.E.: The Ultimate Bootleg Experience. Featuring both live and studio recordings (outtakes, rarities, etc.), T.U.B.E. is veritable goldmine. Some of the more interesting things I found there include:

  • Joe Strummer – Solos, Soundtracks, & Rarities
  • Van Morrison – Gypsy Soul (Studio Demos)
  • Peter Tosh – Equal Rights Demos 1977
  • Crosby, Stills, Nash & Young – 1969-08-26 – Los Angeles
    (the earliest completely recorded CSNY concert)
  • Talking Heads – CBS Demos (1975)
  • U2 – Pulled The Covers (1979-2006)

The one minor downside of T.U.B.E. is the slightly complicated downloading process. It usually is worth it however. The files are well documented, and often include cover art. The bootlegs I’ve downloaded have been of very good quality. Every time I check out T.U.B.E., I’m just amazed at the variety and sheer number of bootlegs posted on the site.